92Y Podcast: From the Poetry Center Archive: Jamaica Kincaid
Jamaica Kincaid returns to the 92Y Poetry Center tonight to participate in “The Immigrant Experience: Becoming Americans”— an evening of readings from and discussion of the new Library of America anthology Becoming Americans: Four Centuries of Immigrant Writing. She will be joined by fellow contributors Jessica Hagedorn, Norman Manea and Gary Shteyngart, as well as the anthology’s editor, Ilan Stavans, who will moderate the conversation. Their readings will include the work of Edward Said, Edwidge Danticat and Joseph Brodsky.
Ms. Kincaid last read at the Poetry Center in January of 2009, and today’s featured recording is an excerpt from that program, when she read from the short story Wingless and the novel My Brother.
In an ongoing effort to share with our readers some of the great literary moments which the Poetry Center has presented across the decades, this blog has begun to feature regular postings of archival recordings by some of the best writers of our time—many of whom, like Jamaica Kincaid, are returning this season. To purchase tickets to tonight’s event, please click here. For more information about the rest of the upcoming season, please click here. And for access to other recordings from the Poetry Center archive, please click here.
Unterberg Poetry Center webcasts and access to our archive are made possible in part by the generous support of the Sidney E. Frank Foundation.
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Oates herself has called Jury “a work of astonishing vision, breadth, intelligence, and audacity. Elaine Showalter, long recognized as our preeminent feminist scholar-critic, whose prose shimmers with wickedly funny asides, has produced the most ambitious and brilliantly executed book of her career.” It’s a book to be read as a companion to Showalter’s earlier study, A Literature of Their Own, British Women Novelists from Brontë to Lessing.
A Jury of Her Peers includes sections on Harriet Beecher Stowe, Louisa May Alcott, Emily Dickinson, Edith Wharton, Willa Cather, Gertrude Stein, Dorothy Parker, Flannery O’Connor, Gwendolyn Brooks—as well as Oates herself. Here is what Showalter writes about her friend:
“In the late sixties, she published three remarkable novels, A Garden of Earthly Delights (1967), Expensive People (1968), and them (1969). All were nominated for the National Book Award, and Oates won the award for them in 1970. . . . All three novels use male narrators, the male point of view, or masculine themes. Oates never used a masculine pseudonym, but she clearly identified with the passion, frustration, and energy of her heroes; we could even call the series ‘portraits of the woman artist as a young man.’ Like Flannery O’Connor, she wanted to be a great American writer, which in terms of the era meant also to be a male one. Her interests in the destiny of women, the creative freedom of the woman writer, and the function of art itself, were muted in the novels, but always breaking through into the main texts.”
Of course, since the publication of them, Oates has written numerous books on numerous themes—most recently A Fair Maiden, which came out last week. It’s a canon of works which fellow novelist Jane Smiley has called The Museum of Joyce Carol Oates—“a wonder of imagination and invention.”
Today’s featured recording is a conversation, from 2007, between Oates and Roger Rosenblatt.
In an ongoing effort to share with our readers some of the great literary moments which the Poetry Center has presented across the decades, this blog has begun to feature regular postings of archival recordings by some of the best writers of our time—many of whom, like Joyce Carol Oates, are returning this season. For more information about the rest of the upcoming season, please click here. And for access to other recordings from the Poetry Center archive, please click here.
Unterberg Poetry Center webcasts and access to our archive are made possible in part by the generous support of the Sidney E. Frank Foundation.
You can also download the MP3. [35 MB]
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92Y Podcast: From the Poetry Center Archive: Richard Wilbur: Sweet Excess
“Some winters, taking leave, deal us a last hard blow,” writes Richard Wilbur in the poem “A Storm in April.” Mr. Wilbur’s poem praises a late blizzard which delays the Spring:
But the bright, milling snow
Which throngs the air today—
It is a way of leaving
So as to stay.
Here at the front-end of a new winter, we offer the poetry of Richard Wilbur—so full of grace and gratitude and good-will—as today’s featured post, recorded in May 1985.
Mr. Wilbur, who first read at the Poetry Center in 1950 and most recently this past May, is now eighty-eight, and yet he shows no signs of slowing. His new collection, Leavings, will be published in 2010.
In an ongoing effort to share with our readers some of the great literary moments which the Poetry Center has presented across the decades, this blog has begun to feature regular postings of archival recordings. For access to other recordings, please click here. For more information about upcoming Poetry Center events, please click here.
Unterberg Poetry Center webcasts and access to our archive are made possible in part by the generous support of the Sidney E. Frank Foundation.
You can also download the MP3. [30 MB]
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92Y Podcast: From the Poetry Center Archive: Rosemary Harris: The Most Beautiful Flowers of All
This Sunday, the curtain comes down on the acclaimed revival of Kaufman and Ferber’s The Royal Family, in which Rosemary Harris stars as matriarch Fanny Cavendish. (In the show’s 1975 run, Ms. Harris played Fanny’s daughter, Julie.)
In September, Ms. Harris—perhaps best known these days as Spider Man’s Aunt May—returned to the Poetry Center to read from the fairy tales of Oscar Wilde.
Today’s featured recording is Ms. Harris reading two of those tales: The Happy Prince and The Selfish Giant. It includes a post-reading Q&A session with the actress.
Ms. Harris’s reading was part of the Poetry Center’s Children’s Reading Series, which resumes this Saturday with an appearance by Lois Lowry, author of the Anastasia series and Number the Stars. She’ll be reading from two new books—Crow Call and The Willoughbys—and providing a sneak-peek of a third, The Birthday Ball, which is forthcoming. A book-signing will follow.
In an ongoing effort to share with our readers some of the great literary moments which the Poetry Center has presented across the decades, this blog has begun to feature regular postings of archival recordings. For access to other recordings, please click here. For tickets to Ms. Lowry’s reading, please click here.
Unterberg Poetry Center webcasts and access to our archive are made possible in part by the generous support of the Sidney E. Frank Foundation.
You can also download the MP3. [25 MB]
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92Y Podcast: From the Poetry Center Archive: Paul Auster: A Buzz in the Head
Over the years, the Poetry Center has teamed with The Paris Review to present numerous on-stage conversations. These talks—with Chinua Achebe, Norman Mailer, Iris Murdoch, Günter Grass, Tony Kushner, Salman Rushdie, Pat Barker, Czesław Miłosz, Arthur Miller and others—often led to the Writers-at-Work interviews which appeared in the magazine.
In September of 2002, before a reading from his Book of Illusions, Paul Auster spoke with critic Michael Wood. Their discussion is today’s featured recording. Here is an excerpt from the published interview, which ran in The Paris Review’s Fall 2003 issue:
“I was always drawn to books that doubled back on themselves, that brought you into the world of the book, even as the book was taking you into the world. The manuscript as hero, so to speak. Wuthering Heights is that kind of novel. The Scarlet Letter is another. The frames are fictitious, of course, but they give a groundedness and credibility to the stories that other novels didn’t have for me. They posit the work as an illusion—which more traditional forms of narrative don’t—and once you accept the “unreality” of the enterprise, it paradoxically enhances the truth of the story. The words aren’t written in stone by an invisible author-god. They represent the efforts of a flesh-and-blood human being, and this is very compelling. The reader becomes a participant in the unfolding of the story—not just a detached observer.”
Mr. Auster returns to the Poetry Center on Monday, November 30, to read from his new novel Invisible. (Check out his recent interview with New York magazine on it.) He is paired with Spanish writer Javier Marías—whose Poison, Shadow and Farewell was recently called “the first authentic literary masterpiece of the 21st century” by The Guardian. Mr. Auster will be introduced by Rick Moody; and Mr. Marías by Wyatt Mason.
In an ongoing effort to share with our readers some of the great literary moments which the Poetry Center has presented across the decades, this blog has begun to feature regular postings of archival recordings by some of the best writers of our time—many of whom, like Paul Auster, are returning this season. To purchase tickets to Monday’s readings by Mr. Auster and Mr. Marías, please click here. For more information about the rest of the upcoming season, please click here. And for access to other recordings from the Poetry Center archive, please click here.
Unterberg Poetry Center webcasts and access to our archive are made possible in part by the generous support of the Sidney E. Frank Foundation.
You can also download the MP3. [28 MB]
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92Y Podcast: From the Poetry Center Archive: Philip Levine: The Language of the Place
Tonight the Poetry Center is pleased to welcome back Philip Levine, whose new collection is News of the World. He’ll be reading with Rita Dove. In an interview with The Atlantic, Mr. Levine once remarked on the difference between performing poetry and writing it:
“The process of writing poetry depends on being alone in a room, and being comfortable being alone for long periods of time—almost reveling in solitude and slow time. I’ve had friends tell me, younger poets, that when they came back from their early reading tours they’d get very depressed. I guess they were waiting for applause as they picked up pen and pencil. But there is no applause.”
There was plenty of applause at Mr. Levine’s last appearance at the Poetry Center in November of 2001. Today’s featured recording is the entirety of that reading, which included “On the Meeting of Garcia Lorca and Hart Crane,” “My Father With Cigarette Twelve Years Before the Nazis Could Break His Heart” and “Two Voices.”
In an ongoing effort to share with our readers some of the great literary moments which the Poetry Center has presented across the decades, this blog has begun to feature regular postings of archival recordings by some of the best writers of our time—many of whom, like Philip Levine, are returning this season. To purchase tickets to tonight’s readings by Mr. Levine and Ms. Dove, please click here. For more information about the rest of the upcoming season, please click here. And for access to other recordings from the Poetry Center archive, please click here.
Unterberg Poetry Center webcasts and access to our archive are made possible in part by the generous support of the Sidney E. Frank Foundation.
You can also download the MP3. [15 MB]
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Subscribe with iTunes or add our podcast feed to your RSS news reader and have future 92nd Street Y podcasts delivered automatically.
92Y Podcast: From the Poetry Center Archive: Rita Dove: Living History
In May of 1999, the 92Y Poetry Center celebrated its 60th anniversary with a gala reading. Appearing that night were Stanley Kunitz, Grace Paley, Edward Albee, Reynolds Price, Tony Kushner and Rita Dove, who read poems from her latest collection, On the Bus with Rosa Parks. In a note at the back of the book, Ms. Dove shared the origin of its title:
“In 1995, during a convention in Williamsburg, Virginia, as the conferees were boarding buses to be driven to another site, my daughter leaned over and whispered, ‘Hey, we’re on the bus with Rosa Parks!’ Although the precipitating incident did not make it into a poem, the phrase haunted me—and so this meditation on history and the individual, image and essence was born. (By the way, Mrs. Parks took a seat in the front of the bus.)”
Today’s featured recording is Rita Dove’s reading from the Poetry Center’s 60th anniversary celebration in 1999.
In an ongoing effort to share with our readers some of the great literary moments which the Poetry Center has presented across the decades, this blog has begun to feature regular postings of archival recordings by some of the best writers of our time—many of whom, like Rita Dove, are returning this season. To purchase tickets to this Thursday’s readings by Ms. Dove and Mr. Levine, please click here. For more information about the rest of the upcoming season, please click here. And for access to other recordings from the Poetry Center archive, please click here.
Unterberg Poetry Center webcasts and access to our archive are made possible in part by the generous support of the Sidney E. Frank Foundation.
You can also download the MP3. [8 MB]
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Subscribe with iTunes or add our podcast feed to your RSS news reader and have future 92nd Street Y podcasts delivered automatically.
92Y Podcast: Poetry Center Archive: Brian Boyd on Vladimir Nabokov: A Mastery of Particulars
When Vladimir Nabokov died in 1977, he left behind the fragments of an unfinished novel on 138 hand-written notecards. After much deliberation, his son Dmitri has now decided to have them compiled as a book under Nabokov's original title—The Original of Laura. Next Monday, upon Laura’s publication, the Poetry Center is proud to host A Celebration of Nabokov, with appearances by Martin Amis, Nabokov biographer Brian Boyd and Chip Kidd, the book’s designer. (Please note: A dozen of these notecards will be on public display for the first time at the Celebration, courtesy of Christie's auction house. Only ticket-holders will gain access to this special one-night-only exhibit, which will open at 6:30 pm on the night of November 16.)
Professor Boyd first spoke about Nabokov at the Poetry Center in 1992, as part of our Biographers and Brunch series:
“Nabokov hated novelized biographies, where biographers think they can bring to life a scene that they didn’t witness, or peer into the thoughts of a person they didn’t invent. Yet he loved to biographize his novels. For Nabokov, the past one lives through is enormously particular, irreducible to any formulae or generalizations, and not accessible to another mind. It’s not even accessible—real though it is—to the mind of the person who’s lived through it all, except through the faded images and misplaced files in the photo-library of memory.
“Nabokov’s novels are filled with invented biographers, biographies and autobiographies because he loved to explore the themes of the unrevisitable nature of time past and the impenetrable uniqueness of the individual. He loved to contrast what was possible in novels, where other minds are accessible and the past endlessly revisitable, with the conditions of real life.”
Today’s post is the entirety of Professor Boyd’s lecture from 1992. Of particular interest, perhaps, are his remarks during the question-and-answer session near the end, when an audience member asks him about Laura.
In an ongoing effort to share with our readers some of the great literary moments which the Poetry Center has presented across the decades, this blog has begun to feature regular postings of recordings from our archive. To purchase tickets to A Celebration of Nabokov, please click here. For more information about the rest of the upcoming season, please click here. And for access to other recordings from the Poetry Center archive, please click here.
Unterberg Poetry Center webcasts and access to our archive are made possible in part by the generous support of the Sidney E. Frank Foundation.
You can also download the MP3. [18 MB]
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Ted Sorensen, John F. Kennedy’s special counsel, speechwriter and close advisor, appeared at 92Y on May 6, 2008 to speak with foreign affairs expert Ralph Buultjens about his memoir, Counselor: A Life at the Edge of History and Kennedy’s legacy.You can listen to the full program above.
Related:On Dec 10 at 92Y, Katie Couric will moderate a Special Celebration of the Life of Senator Edward M. Kennedy with Vicki Reggie Kennedy and Ted Kennedy Jr.
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92Y Podcast: From the Poetry Center Archive: A.S. Byatt: “Your Own Poet’s Voice”
A.S. Byatt first appeared at the 92Y Poetry Center in October of 1991, for a reading from Possession, which had won the Booker Prize the year before. This Thursday, some 18 years later, Ms. Byatt returns to the Poetry Center to read from The Children’s Book, a finalist for this year’s Booker. (Hilary Mantel, this year’s winner, was one of the judges who awarded Ms. Byatt the prize in 1990.)
The Sunday Times of London has called The Children’s Book “easily the best thing Byatt has written since her Booker-winning masterpiece Possession...[It] superlatively displays both enormous reach and tremendous grip.” Like Possession, The Children’s Book is a teeming, polyphonic novel.
“I started writing in other voices really when I wrote Possession, partly because I was somehow dissatisfied with the ‘voice’ of realist prose about people’s feelings,” Ms. Byatt said in a recent interview with Bookforum. “That is only one way to write. So I wrote parodies of scholarly analysis, biographical musings, Victorian love letters and poems, and I think this makes the ordinary ‘storytelling’ voice in turn more surprising and problematic. When people ask me why I write, I say it’s because I love the language and what it can do. I think I’m not very interested in self-expression.” Read her interview on Feministing for more insight.
Today’s featured recording is Ms. Byatt’s October 28, 1991 reading from Possession. In this excerpt, which comes from Chapter 8 of the novel, Ms. Byatt conjures the voices of all four of her main characters—two modern-day researchers (Roland and Maud) and two Victorian poets (Randolph Henry Ash and Christabel LaMotte).
In an ongoing effort to share with our readers some of the great literary moments which the Poetry Center has presented across the decades, this blog has begun to feature regular postings of archival recordings by some of the best writers of our time—many of whom, like Ms. Byatt, are returning this season. To purchase tickets to Ms. Byatt’s reading, please click here. For more information about the rest of the upcoming season, please click here. And for access to other recordings from the Poetry Center archive, please click here.
Unterberg Poetry Center webcasts and access to our archive are made possible in part by the generous support of the Sidney E. Frank Foundation.
You can also download the MP3. [12 MB]
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92Y Podcast: William Kanengiser of The Los Angeles Guitar Quartet
On Wednesday, November 11, The Los Angeles Guitar Quartet will present a dramatic retelling of Don Quixote, with comic actor Phil Proctor narrating and playing more than a dozen parts. The LAGQ will accompany him, performing Spanish Renaissance guitar music heard by Cervantes from Renaissance Spain. The program uses a recent translation by Edith Grossman, a 92Y faculty member, and the concert is part of the Art of the Guitar series. In this podcast, LAGQ member William Kanengiser, who arranged the program, talks about its creation.
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Kurt Vonnegut: “Short Sentences and Placebo Profundities”
Upon the release of Kurt Vonnegut’s Look at the Birdie, a collection of previously unpublished stories, the Poetry Center is pleased to share an archival recording of Mr. Vonnegut from May 16, 1983.
“If you are a New Yorker, if you are a writer, it’s part of your civic duty to appear at the Y—at least once,” Mr. Vonnegut says in his opening remarks. As it happens, this was Mr. Vonnegut’s second appearance at the Poetry Center. His first, with poet Muriel Rukeyser, took place some 13 years before, on the evening of May 4, 1970—the day the National Guard opened fire on student protesters at Kent State. That night, he recalls in the recording from 1983, “there were people out in the audience standing up saying, ‘What do we do, what are we supposed to do?’ and nobody had a very bright answer, certainly Muriel and I didn’t.” Mr. Vonnegut ended up reading from a forthcoming novel, Breakfast of Champions, and that recording can be found here.
In the recording from 1983, however, he addresses Kent State much more directly, by reading a speech he delivered at Haverford College shortly after the shootings. He then reads two more speeches—one on our addiction to war preparation and another on nuclear holocaust, which was originally delivered at the Cathedral of St. John the Divine.
In an ongoing effort to share with our readers some of the great literary moments which the Poetry Center has presented across the decades, this blog has begun to feature regular postings of archival recordings by some of the best writers of our time. Next week, in anticipation of her upcoming appearance, on Thursday, October 29th, we will share a recording of A.S. Byatt reading an excerpt from Possession. To purchase tickets to Ms. Byatt’s reading, please click here. For more information about the rest of the upcoming season, please click here. And for access to other recordings from the Poetry Center archive, please click here.
Unterberg Poetry Center webcasts and access to our archive are made possible in part by the generous support of the Sidney E. Frank Foundation.
You can also download the MP3. [19 MB]
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92Y Podcast: From the Poetry Center Archive: Chinua Achebe: “Against Blindness”
Next Monday, the Unterberg Poetry Center is privileged to welcome back Chinua Achebe, who recently published his first book in more than twenty years—The Education of a British-Protected Child, a collection of autobiographical essays. Mr. Achebe will be in conversation with K. Anthony Appiah, the philosopher and president of the PEN American Center. “For so many readers,” Mr. Appiah once wrote, “it is Chinua Achebe who opened up the magic casements of African fiction.”
In an ongoing effort to share with our readers some of the great literary moments which the Poetry Center has presented across the decades, this blog has begun to feature regular postings of archival recordings by some of the best writers of our time—many of whom, like Mr. Achebe, are returning in the months ahead. To purchase tickets to Monday’s event with Mr. Achebe, please click here. For more information about the rest of the upcoming season, please click here. And for access to other recordings from the Poetry Center archive, please click here.
The year 2008 marked the 50th anniversary of Things Fall Apart. Mr. Achebe’s first appearance at the Poetry Center took place in January of 1994—on Martin Luther King Day. This recording features Mr. Achebe reading an Igbo dirge in King’s honor, as well as excerpts from the novel Anthills of the Savannah and the poem “We Laughed at Him.”
Unterberg Poetry Center webcasts and access to our archive are made possible in part by the generous support of the Sidney E. Frank Foundation.
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The New York Timesreports today: "Bruce Wasserstein, the Wall Street investment banker who helped pioneer the hostile takeover in the 1980s and reshaped the mergers and acquisitions business into a high art, died Wednesday." In addition to being Chairman & CEO of Lazard, a globally distinguished financial advisory and asset management firm, he was also the owner of New York magazine.
On September 20, 2007, Wasserstein sat down with Businessweek editor-in-chief Stephen J. Adler for 92Y's Captains of Industry series. In this candid audio clip he discusses perceptions of his character by the press, identifying skills in people and historical trends in the economy. The full conversation is available on Audible.com.
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In the video above, Columbia Professor Jeremy Dauber presents a short introduction for his series on Jewish Comedians which focuses on Woody Allen, Lenny Bruce and Mel Brooks. Tickets can be purchased here.
And below, you can listen to a podcast featuring a brief Q&A we did with Jeremy as he talks about the history of Jewish comedy, comics who were important to its evolution and what it looks like today
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