Robert Marshall, author of A Separate Reality—described as “...a portrait of an artist as a young man in the seventies. It’s a novel about Jews in the sun-belt diaspora, sprinklers on dead grass, and the smell of creosote in the desert at night. It’s a story of rattle snakes and the death rattle of the sixties. It’s about Watergate and the history of the left from the Rosenbergs to McGovern."—conjures up a 100-word description of a dream for the 92Y Blog. (“100 Words” background here.)
Dream I’m at a museum with my father. They’ve bought some new paintings, very tiny Rembrandts. Because they’re so small perhaps he can see them. So I wheel him out into the museum (also a parking lot), but we can’t find the Rembrandts, or the little Van Goghs which may also be there. We give up, head in, but must be careful—we don’t want to get in the lane where the planes are taking off. We do, accidentally, for a moment, but then manage to reenter the building (airport?). Later my brother is also going blind. Spina Bofida, he says.
He joins Jami Attenberg and Galt Niederhoffer for the New Jewish Fiction talk at Makor on March 7.
Whether it’s brunch (never prepared “over-easy") or killing 45 minutes on the F train, New Yorkers love their crossword puzzles. In the latest issue of Time Out New York, Paul Katz takes David J. Kahn—a frequent contributor to The New York Times, The Washington Post, The Los Angeles Times, and The New York Sun crossword puzzles—to the gridiron for explanations behind his black & white (and sometimes shades of gray) world. An excerpt:
A typical grid can take Kahn 10 to 15 hours to create, and he finds inspiration in everything from books and billboards to talking heads. When Tom Brokaw punned that “Manhattanites define a hard drive as ‘a difficult commute,’ “Kahn went to work on “Technophobe’s Delight,” which eventually became his—and then President Bill Clinton’s—favorite puzzle. Another fan knit Kahn a wall hanging based on one of his more challenging grids. But, Kahn admits, the feedback isn’t always favorable. “I get approached at parties sometimes. Someone will really get into it and start debating the definitions I’ve used.” That aggravation is precisely why this old-fashioned wordsmith needn’t worry about job security in an increasingly high-tech world. “Even if they’re frustrating, crosswords entertain,” says Kahn. “As long as they do that, they’ll never go out of style.”
Read the whole article and then take Kahn’s master class in crossword puzzles Thursday night at the Y.