In last month’s Vanity Fair, Christopher Hitchens has more than a few words on Bohemia and New York’s Greenwich Village:

In aspect and design, New York’s West Village is the opposite of Soho in London in that it began its existence before the famous evolution of Manhattan as a grid had taken shape. As Malcolm Cowley phrased it, evoking the Village just after the First World War, “Most of us drifted to Manhattan to the crooked streets south of Fourteenth, where you could rent a furnished hall-bedroom for two or three dollars weekly.… We came to the Village … because living was cheap, because friends of ours had come already … because it seemed that New York was the only city where a young writer could be published.” Trying to sum up the ethos, Cowley wrote that for his generation the Village was something more than “a place, a mood, a way of life: Like all bohemias, it was also a doctrine.”

“Doctrine” might sound a shade pretentious. But try picturing American culture without the contribution of this unique square mile. Inter alia, you would have to subtract Bob Dylan and the Cafe Wha?, Norman Mailer and The Village Voice, Isadora Duncan, John Reed and Edna St. Vincent Millay, the Beats, the gay movement and Christopher Street and the Stonewall Inn, Lauren Bacall as “Miss Greenwich Village of 1942,” Eugene O’Neill, Dylan Thomas at the White Horse Tavern, Dawn Powell and Djuna Barnes. In his book which has the wonderful title Republic of Dreams, Ross Wetzsteon managed to evoke what he admitted was sometimes “a cult of carefree irresponsibility, but in the service of transcendental ideas.” That could be Bohemia defined.

This fall, explore the downtown “haunts” with Gordon Linzer’s after-hours Greenwich Village Ghosts Tour. It’s just one of many excursions offered by the Y which include city walks, food outings, behind the scenes and museums & gallery tours.